TIME SCHEDULE
Friday 24 January: |
|
16.30 – 17.30 |
Registration |
|
17.30 – 18.00 |
Welcome (main theatre) |
|
18.00 – 19.00 |
First Plenary session (main theatre) |
|
19.00 – 19.20 |
Break |
|
19.20 – 20.30 |
Discussion panels in parallel sessions (several rooms) |
|
20.45 – 21.30 |
"The Strong Boy, the Deaf Boy, and the Girl in an Abaya" performance by Philippines Educational Theatre Association (main theatre) |
Saturday 25 January: |
|
09.00 – 09.30 |
A school visits the Conference (main theatre) |
|
09.30 – 11.00 |
Second Plenary session (main theatre) |
|
11.00 – 11.30 |
Break |
|
11.30 – 14.00 |
Workshops (several rooms) |
|
14.00 – 15.30 |
Lunch |
|
15.30 – 18.00 |
Workshops (several rooms) |
|
18.00 – 18.30 |
Break |
|
18.30 – 19.30 |
"Antigone - a modern myth" performance by Mostar Youth Theatre (main theatre) |
Sunday 26 January
|
|
09.00 – 11.00 |
Workshops (several rooms) |
|
11.00 – 11.20 |
Break |
|
11.20 – 13.20 |
Workshops (several rooms) |
|
13.30 – 14.30 |
Ms Katia Gerou performance (main theatre) |
|
14.30 – 16.00 |
Lunch |
|
16.00 – 17.15 |
Third plenary session: Open class (main theatre) |
|
17.15 – 17.30 |
Break (short) |
|
17.30 – 18.15 |
"Mr. Single" performance by Zeljko Vukmirica (main theatre) |
|
18.15 – 18.30 |
Closing and Farewell! |
FRIDAY 24 January 2003
Plenary and Parallel Sessions
18.00-19.00 Plenary session.
Main Theatre. English and Greek
- Re-discovering the democratic roots of drama
Jonothan Neelands, Warwick University, UK
- Bridging cultures and communication: theatre with deaf people
Nellie Karra, “Arhi” School of Drama
- Drama as therapeutic process
John Somers, University of Exeter, UK
19.20 – 20.20 Parallel sessions. Several rooms
1st Parallel session: Primary School Hall.
Language: Greek
- Evidence of Greek theatre work that could serve as a useful introduction of theatre-in-education (TIE) in Greece.
Persephone Sextou, University of Thessalia, Hellas
- “Escape from drugs”: evaluating a tie project
Mpetty Giannouli, sociology and theatre teacher, Gianna Pitouli, teacher, drama teacher, Hellas
(project participants included Lia Papadopoulou, Hara Tsoukala, Maria Lourou, Christina Mouratidou)
- “The visible and invisible city”: An action research in Drama at the University of Thessaly, Department of Early Childhood Education.
Alkistis Kondoyianni, University of Thessaly
2nd Parallel session: Teachers’ Hall (basement)
Language: English
- Drama structures for building bridges: “school of the future - a concept of culture of partnership”
Andjelija (Andja) Jočić, Center for Drama in Education and Arts, Belgrade, Yugoslavia
- Youth empowerment through theater arts education
Cris Anthony Gonzales, Philippines Educational Theatre Association, Philippines
- Cultural action for social change
Alex Mavrocordatos, David Pammenter, King Alfred's University College, UK
3rd Parallel session. Projection Room 316
Language: English
- Outside in or inside out?
John Wright, director, Middlesex University, UK
- Africans, Vikings and Chicanos: Observations on decolonizing effects of the Suzuki Method of Actor Training
Marcos Martinez, University of California, USA
- The warlike actor facing the abyss
Andrea Copeliovitch, actress, Brazil
4th Parallel session: Room 210
Language: Greek
- Using drama to increase language awareness in classroom: Proposals for a less boring and a more fruitful lesson
Jenny G. Anninou, Secondary Teacher of Greek language, Linguist, Hellas
- Establishing a contemporary theatre of myth for the young Greeks of Cyprus; A pilot case study based on a workshop around the myth of Antigone
Charis Polycarpou, drama teacher, MA, PhD, Cyprus
- “Theatrico analogio” (an alternative way of performance): an old recipe for the dramatic presentation of everything
Popie Polymerou, teacher, actress, Hellas
5th Parallel session: Room 323
Language: Greek and English
- Using the arts to help prevent suicide among young people: focus on secondary schools
Vassiliki Karkou, Phil Jones: the Labyrinth Project, Department of Art and Arts Therapies, University of Hertfordshire, UK
- Drama as a tool for social awareness and personal development
Helen Tsefalas, teacher of English language, literature and educational drama, Hellas
- Theater looks physics in the eye and the proposal is: “let’s go for a walk”
Andreas Kassetas, teacher, writer, Hellas
6th Parallel session: Room 251
Language: English
- Drama and ICT: Initial Teacher Training in Drama
Kenneth Taylor, Middlesex University UK
- GAME- with or without and how?"
Metin Deniz, Nihal Koldas, Maya Arts Center, Turkey
- Drama in Singapore schools
Jeffrey Tan, theatre director, educator, Singapore
SATURDAY 25 January 2003
Plenary and Workshops
09.30 – 11.00 Plenary session. Main Theatre
Language: English and Greek
- Recognition as the fundamental principle in intercultural education
Christos Govaris, Aegean University, Hellas
- Is two river banks chance for the bridge or for the chasm?
Sead (Seyo) Dulic, Armin Joha Hadzimusic Mostar Youth Theatre, Bosnia i Herzegovina
- Never look away
David Davis, University of Central England, UK
- Drama and personal development by training student teachers in palestine'
Hala Al-Yamani, Bethlehem University, Palestine
Saturday workshops
|
Room
|
11.30 – 14.00
|
15.30-18.00
|
Gym I
|
REAWAKENING THE SPOKEN WORD: a workshop in the suzuki actor training method
Marcos Martinez, director, Master Teacher Suzuki Actor Training Method,
California State University, USA
|
Gym II
|
ENTERING FICTIONAL WORLDS: THE USE OF DRAMA IN SCHOOLS.
John Somers, Exeter University, UK
|
Gym III
|
BALANCE IN COMMUNICATION
Željko Vukmirica, actor, director, writer, Croatia
|
Primary School Hall
|
METHOD IN THE MADNESS!
John Wright, director, UK
|
Teachers’ Hall
(basement)
|
REMEMBER WE ARE HUMAN!
Jonothan Neelands, Warwick University, UK
|
Students’ Room
(basement)
|
ACTIONS, OBJECTS AND IMAGES IN DRAMA IN EDUCATION
David Davis, University of Central England, UK
|
244
|
LIFE EXPERIENCES AS INSPIRATION FOR THEATRICAL PICTURES
Sead (Seyo) Dulic, Armin (Joha) Hadzimusic Mostar Youth Theatre, Bosnia i Herzegovina
|
245
|
ANCIENT GREEK DRAMA: FROM TRAGEDY TO COMEDY
Spyros Vrachoritis, director, Hellas
Antigoni Morou, theatre arts teacher, Hellas
Kostas Patsatzopoulos, musician, Hellas
|
246
|
MUSICAL - METRICAL DESIGN IN SOPHOCLEAN CHORAL ODES: bridges between ancient Greek scansion patterns and modern Greek translations of tragic poetry.
Smaro C. Gregoriadou, composer and music pedagogue, Hellas
Giorgos Mpiniaris, actor, director and theatre pedagogue, Hellas
Nikos Govas, theatre teacher, Hellas
|
THE OTHER AND ME IN DRAMA PROCESS
Hala Al-Yamani, Bethlehem University, Palestine
|
251
|
FOURTEEN MILLION AND RISING
Phil Sixsmith, drama consultant, UK
Veta Tsaliki, Environmental Centre Kordelio, Hellas
|
323
|
PRIMAVISTA: Trojan Women by EURIPIDES
George Zamboulakis, stage director, Hellas
Thanos Vovolis, set designer, Hellas
|
301
|
EXPLORING SCENIC BODY: LISTENING TO THE MUSES
Andrea Copeliovitch, actress, Brazil
|
210
|
PERFORMING CODES AS MEANS TO APPROACH TEXTS
Filia Dendrinou, pedagogue, actor, drama teacher at Arsakeia – Tositseia Schools, Hellas
|
THE VISIBLE AND INVISIBLE CITY
Alkistis Kondoyianni, University of Thessaly, Hellas
|
307
|
THE USE OF SYMBOL IN DRAMA EDUCATION
Kenneth Taylor, Middlesex University, UK
|
BASIC PRINCIPLES OF PUPPET ANIMATION:
against common mistakes and problems
Stathis Markopoulos, puppeteer, Hellas
|
308
|
THE “SOMA” OF THE EDUCATORS
Stelios Krasanakis, psychiatrist, drama therapist, Hellas
|
311
|
CULTURAL DIVERSITY: FORUM THEATRE, NEGOTIATING ATTITUDES
Gianna Pitouli, primary school teacher, drama teacher, Hellas
|
SUNDAY 26 January 2003
Workshops
Room |
09.00 – 11.00
|
11.20-13.20
|
Gym I |
REAWAKENING THE SPOKEN WORD: a workshop in the suzuki actor training method
Marcos Martinez, director, Master Teacher Suzuki Actor Training Method, California State University, USA |
Gym II |
ENTERING FICTIONAL WORLDS: THE USE OF DRAMA IN SCHOOLS.
John Somers, Exeter University, UK |
Gym III |
REMEMBER WE ARE HUMAN!
Jonothan Neelands, Warwick University, UK |
Primary School Hall |
SPEECH, MOVEMENT, IMAGE, MUSIC: creative synthesis and interaction
Apostolia Papadamaki, choreographer, Hellas |
Teachers’ Hall
(basement) |
EMPOWERMENT THROUGH DEVISING PLAYS
Jeffrey Tan, theatre director, educator, Singapore |
Students room
(basement) |
ACTIONS, OBJECTS AND IMAGES IN DRAMA IN EDUCATION
David Davis, University of Central England, UK |
244 |
FROM DREAMS TO THEATRE
Sead (Seyo) Dulic, Armin (Joha) Hadzimusic Mostar Youth Theatre, Bosnia i Herzegovina |
245 |
SCHOOL ACHIEVEMENT AS A FACTOR OF “DIFFERENTNESS”: GAPS AND BRIDGES
Avra Avdi, language and drama teacher, Hellas
Melina Hadjigeorgiou, primary and drama teacher, Hellas |
246 |
TECHNIQUE AND THE CREATIVE PROCESS
Nellie Karra, Arhi School of Drama, Hellas |
251 |
IMPROMPTU PLAYS AS EXPRESSIONS OF YOUNG PEOPLE
Cris Anthony C. Gonzales, Edward C. Terana, Philippines Educational Theatre Association, Philippines |
PLAYING OR LEARNING?
Metin Deniz, Nihal Koldas, Maya Arts Center, Turkey |
323 |
DRAMA AS EDUCATION IN SOCIAL TRANSFORMATION
Alex Mavrocordatos, David Pammenter, King Alfred's University College, UK |
THE LABYRINTH PROJECT: Using the Arts to Identify and Deal with Young People’s Personal and Social Difficulties
Phil Jones, Vassiliki Karkou, Department of Art and Arts Therapies, University of Hertfordshire, UK |
301 |
EXPLORING SCENIC BODY: LISTENING TO THE MUSES
Andrea Copeliovitch, actress, Brazil |
210 |
FROM SPEECH TO IMAGE
Maria Chaniotaki, designer, Hellas
Korina Preveduraki, painter, Hellas
Ioanna Vetsopoulos, teacher of Art History, Hellas |
307 |
THE USE OF SYMBOL IN DRAMA EDUCATION
Kenneth Taylor, Middlesex University, UK |
THE ACT OF ANIMATION TROUGH HUMAN HISTORY
Vasiliki Bakrozi, primary school teacher, Hellas |
308 |
LITERATURE THEMES IN MULTICULTURAL EDUCATION: USING DRAMA METHODS
Radka Mackova, Janacek Academy of Music and Arts, Czech Republic
Yannis Poutachidis, “Poupoulo” Theatrical Artistic Cultural Center of Thessalonica, Hellas |
311 |
BERLIN 1936, MUNICH 1972, WORLD 2003, OLYMPICS AND POLITICS:
a theatre–in-education approach
Christina Mouratidou, actress, theatre educator |