Πρόσκληση για συμμετοχή στο Young IDEA Lab, στο Βουκουρέστι
Αγαπητά μέλη, δείτε παρακάτω την ανακοίνωση για ένα εργαστήριο για νέους (18-30) που θα γίνει στο Βουκουρέστι 30/10-1/11/2025 στο πλαίσιο της συνάντησης του IDEA Eurοpe 2025.
Οι συμμετέχοντες θα πρέπει να καλύψουν τα ταξιδιωτικά έξοδα, ενώ οι οργανωτές καλύπτουν τη διαμονή, διατροφή και τα εργαστήρια.
Το Πανελλήνιο Δίκτυο για το Θέατρο στην Εκπαίδευση (ΠΔΘΕ) θα προτείνει στους οργανωτές δύο μέλη του που πληρούν τις προδιαγραφές της πρόσκλησης.
Αν ενδιαφέρεστε συμπληρώστε την ΑΙΤΗΣΗ ΕΔΩ το αργότερο μέχρι 10/10/2025 5μμ.
Προϋπόθεση να είστε μέλος του ΠΔΘΕ με πληρωμένη τη συνδρομή 2025.
Στην περίπτωση που οι αιτήσεις είναι πολλές θα γίνει κλήρωση.
 
 
 
Young IDEA Lab, Bucharest, Romania
30 October - 1 November 2025
CLOWNING AND PHYSICAL THEATRE WORKSHOP
Organised by tηε National University of Theatre and Film (UNATC) Bucharest as part οf IDEA Europe Meeting 2025 (IEM)
Working language: English
Age: 18-30 years
WORKSHOP CONCEPT 
The body is our first instrument of communication and artistic expression. Through clowning and physical theatre techniques, participants will discover new ways to express their creativity and connect with audiences in an authentic and profound manner.
Sensory exploration - engaging the entire body in the creative process
Play and improvisation - discovery through spontaneity
Teamwork - creating intercultural connections
Constructive feedback - developing critical and observational spirit
Final presentation - building scenic confidence
 
Participants will work in groups to create original artistic material with a maximum duration of 5 minutes per group, which will be presented to other IDEA Europe participants.
 
WHO IS IT FOR? 
Theatre students
Students from other fields connected to theatre education
Young actors and performers
Young practitioners in educational fields connected to theatre
Theatre educators in training
Interdisciplinary artists interested in physical theatre and clowning
 
We are young 
We have a lot of questions 
We are international & worldwide 
We are artists, educators & scientists 
We want to promote transcultural exchange 
We are students, young professionals & lecturers 
We want to create a worldwide Young IDEA network
 
FACILITATORS 
The workshop will be led by Ioana Rufu and Andrei Atabay, specialists in physical theatre and clowning, who will guide participants in exploring the concept "The Participation Effect" through practical exercises, improvisations and creative explorations.
 
VENUE 
The National University of Theatre and Film (UNATC) Bucharest provides the perfect setting for this intensive workshop, in the heart of one of Europe's most dynamic capitals
Costs: participants will pay for their travel costs. Accommodation is paid by UNATC in different rooms that will be rented during the days of the IEM 2025. UNATC will offer lunch and dinner during the lab days.
 
DETAILED PROGRAM 
Day 1 - October 30 
Morning (4 hours): Foundations of basic techniques 
Warm-up and group connection exercises
Introduction to physical theatre - body awareness in space
Introduction to clowning - exploring one's own comic body
First combined improvisations
Afternoon (4 hours): Developing expressiveness 
Physical theatre techniques - expressive movement and rhythm
Deepening clowning techniques - emotions and comic timing
Team improvisations using both languages
Exploring the relationship with spectators
Day 2 - October 31 
Morning (4 hours): Advanced techniques and scenic space 
Physical theatre - working with objects and space transformation
Clowning - characterization and character development
Combining techniques to create scenic moments
Organic integration of both expressive languages
Afternoon (4 hours): Creating artistic material 
Developing working materials integrating physical theatre and clowning
Individual and collaborative work sessions
Exploration and structuring of created sequences
Preparation for final presentation
Day 3 - November 1 
Final Presentation: Public presentation of created material 
Each group presents their developed artistic material
Feedback and discussions with the audience
Workshop closure and experience evaluation